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On having no visual memory

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I have aphantasia—no ability to create images in my mind, or to remember things in a visual way.

For well over half of my life I lived under the assumption that suggestions to visualize things were entirely metaphorical, and also that I was incredibly stupid in certain ways, finding things that everyone else seemed to find easy a challenge. I struggle to learn graphical interfaces, I’ve mixed up speakers and their talks at conferences, I spend a lot of time staring at icons on my phone—as far as I’m concerned every blue icon leads to the same app.

I store information as lists. For people I see a lot, I could probably draw a reasonably accurate picture of them, based on the list of data I’ve collected. However that information can never be as detailed as being able to recall an image could be. For example, perhaps you are someone I work with. I see you several times a week on video calls. I know lots of things about how you look, including that you wear glasses. However, your glasses were unremarkable to me and so I’ve not stored any particular information about them. You could dramatically change your style of glasses, I’d not notice. I’m not comparing a visual memory of you from a few days ago, I just know you wear glasses.

If I’m visiting a new place and I go for a run, I collect data points along the way to navigate back. I will not remember how the route looked. This means that I can be incredibly good at taking people somewhere that I’ve only been once, I’ve got turn by turn directions. However, if I am walking with someone and talking, or for some reason don’t actively collect information, I’m doomed. The other week I lost an entire car park, never mind my car, due to having been distracted by a message after leaving the car park and failed to collect any information about what it looked like.

I dream, but not in pictures. For example, I have a recurring dream where I’m back in a theatre, putting on pointe shoes. I know it’s a theatre because of the smell, I feel the roughness of the shoes as I put my feet into them, the creak of the leather sole as I roll through my foot. I can feel that dream as I write about it, but there’s no image involved.

When I learned about aphantasia about ten years ago, suddenly so many things made sense. It’s harder to remember certain types of things if you have no visual memory of them. I’m not an awful person because I didn’t remember that I’d met a person before, there was no way for them to look familiar to me. However, I also think it’s at the root of some of the things I’m really good at.

My lists of information, are closer to a relational database than just a set of lists. It’s no surprise to me now that I always enjoyed working with databases and could design a complex schema without needing to sketch out a diagram. I’m constantly making connections between these bits of information. Many of these connections are just amusing to me, but other times they bring up interesting paths to investigate.

I context switch very easily, I can jump between these information sets without losing my train of thought.

I can write entire articles, documents, or conference talks in my head while out for a run. It’s usually quicker for me to create content in this way than sit at a computer and think about it. I can come in from a run and type out 2,000 words, transferring what I’ve written in my head to the document.

Having discovered this about myself, I’ve found plenty of other people who experience the world in the same way, probably unsurprisingly as people with aphantasia tend to be drawn to computing and science. I find it fascinating that we are all experiencing the world so differently, and how that can so fundamentally impact the things we find easy, or difficult.

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angelchrys
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Overland Park, KS
acdha
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Washington, DC
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Google fires 28 employees after sit-in protest over Israel cloud contract

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An illustration of the Google logo.
Illustration: The Verge

Google fired 28 employees in connection with sit-in protests at two of its offices this week, according to an internal memo obtained by The Verge. The firings come after 9 employees were suspended and then arrested in New York and California on Tuesday.

The fired employees were involved in protesting Google’s involvement in Project Nimbus, a $1.2 billion Israeli government cloud contract that also includes Amazon. Some of them occupied the office of Google Cloud CEO Thomas Kurian until they were forcibly removed by law enforcement. Last month, Google fired another employee for protesting the contract during a company presentation in Israel.

In a memo sent to all employees on Wednesday, Chris Rackow, Google’s head of global security, said that “behavior like this has no place in our workplace and we will not tolerate it.” You can read the full memo at the bottom of this story.

He also warned that the company would take more action if needed: “The overwhelming majority of our employees do the right thing. If you’re one of the few who are tempted to think we’re going to overlook conduct that violates our policies, think again. The company takes this extremely seriously, and we will continue to apply our longstanding policies to take action against disruptive behavior — up to and including termination.”

In a response statement, the “No Tech for Apartheid” group behind the protests called Google’s firings a “flagrant act of retaliation.”

“In the three years that we have been organizing against Project Nimbus, we have yet to hear from a single executive about our concerns,” the group wrote in a post on Medium. “Google workers have the right to peacefully protest about terms and conditions of our labor. These firings were clearly retaliatory.”

You can read Rackow’s full memo below:

Serious consequences for disruptive behavior

Googlers,

You may have seen reports of protests at some of our offices yesterday. Unfortunately, a number of employees brought the event into our buildings in New York and Sunnyvale. They took over office spaces, defaced our property, and physically impeded the work of other Googlers. Their behavior was unacceptable, extremely disruptive, and made coworkers feel threatened. We placed employees involved under investigation and cut their access to our systems. Those who refused to leave were arrested by law enforcement and removed from our offices.

Following investigation, today we terminated the employment of twenty-eight employees found to be involved. We will continue to investigate and take action as needed.

Behavior like this has no place in our workplace and we will not tolerate it. It clearly violates multiple policies that all employees must adhere to — including our Code of Conduct and Policy on Harassment, Discrimination, Retaliation, Standards of Conduct, and Workplace Concerns.

We are a place of business and every Googler is expected to read our policies and apply them to how they conduct themselves and communicate in our workplace. The overwhelming majority of our employees do the right thing. If you’re one of the few who are tempted to think we’re going to overlook conduct that violates our policies, think again. The company takes this extremely seriously, and we will continue to apply our longstanding policies to take action against disruptive behavior — up to and including termination.

You should expect to hear more from leaders about standards of behavior and discourse in the workplace.

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angelchrys
5 days ago
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Boo Google
Overland Park, KS
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The Bygones bring a blast from the past to recordBar

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Photo Apr 13 2024 12 11 53 Pm

The Bygones. // photo by Haley Mullenix

The Bygones
with the Wildwoods
recordBar
Friday, April 12

Friday night, I found myself walking into RecordBar here in KC where the indie-folk duo The Bygones that is made up of Joshua Lee Turner and Allison Young were set to play the eighth stop on their tour. I noticed as I walked up that the demographic for this show was all folks a little older than myself. If you know anything about The Bygones, you’ll know that they draw inspiration heavily from the ‘40s and ‘60s with a bit of jazz and classical influence, so I wasn’t too surprised to not see anyone my age, but they’re definitely missing out!

Opening the night was The Wildwoods, a folk trio from Nebraska whose voices melted together to create their intricate, lullaby-esque sound. Many in the audience sat crisscrossed on the floor throughout the night, and though it might have been to save their knee,s it made for a more intimate feeling throughout the room that felt fitting for the genre.

Photo Apr 13 2024 12 21 12 Pm 1

The Wildwoods. // photo by Haley Mullenix

The trio told stories to accompany their songs and they all ended with “And that’s how we met Andrew” (their bass player), which garnered lots of laughs every time. The band included a bluegrass cover of Bob Dylan’s “Don’t Think Twice It’s Alright,” the story being that they played at a bluegrass competition, which they had no idea was a competition until they arrived and subsequently lost! The crowd, of course, loved it and appreciated the band’s humor to start out the night. The best part about folk bands is that every member is always so immensely talented and it’s always amazing to watch them perform. The Wildwoods brought it all and got the night started right. 

The Bygones were next and the stage was fitted with one of those vintage round microphones before they stepped on. As they took the stage, the first thing I noticed was Allison wearing the most amazing plaid pants suit I’d ever seen! It was like taking a step back in time, and when they started singing the crowd began whooping and hollering!

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The Bygones. // photo by Haley Mullenix

The Bygones have a palpable joy when performing and this, combined with their technique and spellbinding vocals, makes it easy to see why they are loved so much. The duo wasn’t even an official band when they began performing, their first release being a Willie Nelson cover. They gained popularity online and were soon rushing to record an EP so they could build out their setlist.

Rushed is the furthest thing their music feels like though, as it all seems to come so naturally to them both. The duo took a couple requests from the crowd and sang a cover of “Plastic Jesus” before ending the night with their song “Hollow Wood,” a beautiful acapella ballad that echoed throughout the room drawing the night to a close. The duo’s debut album The Bygones is out now and I highly recommend you give it a listen.

All photos by Haley Mullenix

The Bygones

Dm8a7197 Dm8a7210 Dm8a7252 Photo Apr 13 2024 12 05 21 Pm Photo Apr 13 2024 12 11 53 Pm

The Wildwoods

Photo Apr 13 2024 12 13 08 Pm Photo Apr 13 2024 12 19 14 Pm Photo Apr 13 2024 12 21 12 Pm 1 Photo Apr 13 2024 12 21 12 Pm

Categories: Music
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angelchrys
6 days ago
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This was such a good show! If they're going to be in your area and there are any tickets left, do yourself a favor and go!
Overland Park, KS
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winamp-tribute_by_rick-gude.jpg

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An old, worn and rough box with mechanical buttons and sliders that resembles what the Winamp music-player software looked like.  An earphone jack and a rocker power switch can be seen on the side.

by Rick Gude
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jhamill
7 days ago
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I'd buy that mp3 player
California
angelchrys
6 days ago
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Overland Park, KS
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1 public comment
fxer
6 days ago
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How many llamas asses were whipped to bring us this
Bend, Oregon

Here's the column Meta doesn't want you to see

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On Thursday I reported that Meta had blocked all links to the Kansas Reflector from approximately 8am to 4pm, citing cybersecurity concerns after the nonprofit published a column critical of Facebook’s climate change ad policy. By late afternoon, all links were once again able to be posted on Facebook, Threads and Instagram–except for the critical column. According to Editor-in-Chief Sherman Smith, the site hasn’t received any communication from Meta besides this tweet

With permission from the Kansas Reflector, I’m sharing the column verbatim here in an attempt to sidestep Meta’s censorship. I hope you’ll share it far and wide—and I really hope Meta doesn’t block this version. Other outlets are invited to republish as well, as long as they follow their republishing guidelines.

Press freedom has never been more important, and The Handbasket stands with nonprofit and independent news outlets against the forces continually trying to silence us. Support the Kansas Reflector here and become a premium subscriber to The Handbasket here.

A Kansas audience gathers for the screening of “Hot Times in the Heartland” at All Saints Hall at Grace Cathedral in Topeka. (Dave Kendall)

The World Meteorological Organization issued a “red alert” as it released its latest report on the “State of the Global Climate” earlier this month, noting that 2023 was the warmest year in recorded human history — and 2024 will likely surpass it.

For the past two years, I have been working on the production of a documentary about the local response to this planetary warming, focusing primarily upon what’s taking place within the Kaw Valley and the Kansas City metro area.

The program – “Hot Times in the Heartland” – recently premiered to an attentive gathering of concerned citizens in a hall connected to Grace Cathedral in Topeka. It includes an interview in the cathedral with a person who has been intensely focused on climate change in various ways for a number of years.

I’m referring to The Rt. Rev. Cathleen Chittenden Bascom, bishop of the Episcopal Diocese of Kansas, which encompasses all the Episcopal churches in the eastern half of the state. In our program, she describes the efforts being made under her leadership to address the climate crisis.

After viewing our documentary, she sent me a response that I found most reassuring.

“It is a beautiful montage of ALL the good efforts of Kansans,” she wrote to me in an email. “Thank you for this important work. It gives me more hope.”

That response was exactly what we were aiming for with this program.

Knowing that many people are distraught by the challenges we’re facing, we certainly don’t want to exacerbate the climate anxiety and depression that already exists. The bishop’s response, along with those of others who have now seen the show, indicates we are on track in our effort to inform and educate without unduly magnifying a sense of hopelessness.

Imagine my surprise when I attempted to “boost” a post on Meta’s Facebook to begin our online promotional efforts — and the company summarily rejected it.

Apparently, Meta deems climate change too controversial for discussion on their platforms.

I had suspected such might be the case, because all the posts I made prior to the attempted boost seemed to drop off the radar with little response. As I took a closer look, I found others complaining about Facebook squelching posts related to climate change.

Steve Lerner, a Lawrence psychologist who addresses the subject of climate anxiety in our documentary, recently moderated a series of public discussions around the state as part of the “Step By Step” gatherings he initiated with funding from Humanities Kansas. He says he encountered the same type of rejection as I did with Facebook.

But in the Meta-verse, where it seems virtually impossible to connect with a human being associated with the administration of the platform, rules are rules, and it appears they would prefer to suppress anything that might prove problematic for them.

Hayhoe expressed her personal frustration in a recent post on Facebook.

“Since August 2018, Facebook has limited the visibility of my page,” she writes, “labelling it as ‘political’ because I talk about climate change and clean energy. This change drastically reduced my post views from hundreds to just tens, and the page’s growth has been stagnant ever since.”

The implications of such policies for our democracy are alarming. Why should corporate entities be able to dictate what type of speech or content is acceptable?

Columnist Dave Kendall’s latest documentary addresses climate change in the Kaw Valley and Kansas City metro region. (Dave Kendall)

Although it’s disturbing to see what’s happening in what’s become the public square for many of us, it’s been reassuring to experience the reception from our local media outlets, including Kansas Reflector.

While I was in various stages of production on this documentary, Kansas Reflector has published more than one piece I’ve written about this subject.

Across the state line, public radio station KCUR in Kansas City has also been responsive, inviting us on to their “Up To Date” program in advance of an upcoming screening at Johnson County Community College.

The broadcast premiere of our documentary has taken place on Smoky Hills PBS, whose signal reaches across western Kansas. Although I was unsure how receptive the station might be to this topic, the program director enthusiastically accepted the offer to broadcast the show and the person in charge of promotions really did a stellar job.

Our show has also been broadcast on Kansas City PBS, thanks to the support of its veteran programmer, Michael Murphy, who’s retiring after more than 40 years in that position. (You might remember him as one of the “Rare Visions and Roadside Revelations” trio who drove around spotlighting regional folk art for many years.)

In the middle of the month, KTWU, the PBS station in Topeka, will provide some of its prime air time to broadcast our two-hour documentary, following it with a special edition of its “I’ve Got Issues” community affairs show.

The local newspaper in Topeka also has gotten into the act. Before the initial public screening at Grace Cathedral, a note to the editor of the Topeka Capital-Journal resulted in a front-page story about our documentary and a lead story in its afternoon online headlines.

That same afternoon, Bishop Bascom and I were guests on WIBW-TV’s “Eye on Northeast Kansas” program hosted by Melissa Brunner. On the day of our premiere, WIBW followed up with an edited package that aired on their news programs that night.

We are getting along OK without the promotional help of Facebook, but it does seem problematic that a behemoth such as Meta can dictate the terms of our communications.

As I write this, I find it a bit ironic that a message has arrived from “Meta Business Support” noting that it’s been a while since I ran an ad and reminding me that: “ads are a great way to showcase your brand.”

Dave Kendall served as producer and host of the “Sunflower Journeys” series on public television for its first 27 seasons and continues to produce documentary videos through his own company, Prairie Hollow Productions. Through its opinion section, Kansas Reflector works to amplify the voices of people who are affected by public policies or excluded from public debate. Find information, including how to submit your own commentary, here.

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angelchrys
7 days ago
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Overland Park, KS
acdha
9 days ago
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Washington, DC
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End-Stage Poverty Is Killing People in Safety Net-Free America

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Many Patients Don’t Survive End-Stage Poverty by Dr. Lindsay Ryan is a great/upsetting piece about how the poverty many Americans are subjected to in America is killing them. Many people die here in the world’s richest country not because they are sick but because they are poor and our systems of government, justice, business, and health care don’t do enough to help them (or, more cynically and perhaps truthfully, actively work against helping them).

This is one of those pieces where I want to quote every single paragraph, but I’ll start with this one (bold mine):

Safety-net hospitals and clinics care for a population heavily skewed toward the poor, recent immigrants and people of color. The budgets of these places are forever tight. And anyone who works in them could tell you that illness in our patients isn’t just a biological phenomenon. It’s the manifestation of social inequality in people’s bodies.

I have not been able to stop thinking about this phrase since I read it: “Illness in our patients isn’t just a biological phenomenon. It’s the manifestation of social inequality in people’s bodies.”

Medical textbooks usually don’t discuss fixing your patient’s housing. They seldom include making sure your patient has enough food and some way to get to a clinic. But textbooks miss what my med students don’t: that people die for lack of these basics.

People struggle to keep wounds clean. Their medications get stolen. They sicken from poor diet, undervaccination and repeated psychological trauma. Forced to focus on short-term survival and often lacking cellphones, they miss appointments for everything from Pap smears to chemotherapy. They fall ill in myriad ways — and fall through the cracks in just as many.

You should read the whole thing yourself (NY Times gift link). Her argument about the need to expand/shift the definition of what healthcare is (e.g. housing is healthcare) reminds me of this more progressive idea of freedom.

Tags: death · healthcare · Lindsay Ryan · medicine · poverty · USA

💬 Join the discussion on kottke.org

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angelchrys
7 days ago
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Overland Park, KS
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